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AN INDEPENDENT STUDENT NEWSPAPER SERVING THE GW COMMUNITY SINCE 1904
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All content by Mike Nartker
Coldplay stand on its own with its stunning debut Parachutes
By
Mike Nartker
December 11, 2000
The GW Hatchet’s top-10 picks for the best CDs of 2000
By
Mike Nartker
December 4, 2000
WEB EXCLUSIVE: New albums by Metamatics, Datach’i and Oval explore avant-garde electronica
By
Mike Nartker
November 30, 2000
New re-releases showcase the talent of cult icon Nick Drake
By
Mike Nartker
November 20, 2000
Fatboy Slim changes direction on new album
By
Mike Nartker
November 16, 2000
Low slows down a bit to chat with The Hatchet
By
Mike Nartker
November 13, 2000
Web-only feature: Plaid and Two Lone Swordsmen revive bleep and bass
By
Mike Nartker
November 2, 2000
Deep Dish talks to The Hatchet about helping D.C. get down
By
Mike Nartker
October 30, 2000
Robbie Williams is Winning with new release
By
Mike Nartker
October 22, 2000
godspeed you black emperor! causes listeners to Lift Their Fists to Heaven on latest
By
Mike Nartker
October 15, 2000
Moonshine Over America touches down at Buzz
By
Mike Nartker
October 11, 2000
Two albums hint at a new British Invasion
By
Mike Nartker
October 8, 2000
Mojave 3 provide a quiet alternative on new album
By
Mike Nartker
October 1, 2000
Techno legend Photek opens up to The GW Hatchet
By
Mike Nartker
September 24, 2000
New albums help to define the burgeoning sound of tech-house
By
Mike Nartker
September 17, 2000
Photek finds soul in electronic music on newest release
By
Mike Nartker
September 13, 2000
Kid 606 gets loud and raw on electronica debut
By
Mike Nartker
September 13, 2000
Dirty Beatniks hits listeners with Feedback on debut
By
Mike Nartker
September 10, 2000
Getting to know yourself through Kokology
By
Mike Nartker
September 6, 2000
Bjork returns with Selma Songs
By
Mike Nartker
September 4, 2000
Long-awaited Elastica album more meek than Menace
By
Mike Nartker
August 30, 2000
Gilles Peterson mixes things up a little differently on DJ debut
By
Mike Nartker
August 30, 2000
Through The Eyes of two drum & bass pioneers
By
Mike Nartker
August 27, 2000
Paul Van Dyk takes techno fans Out There and Back on latest release
By
Mike Nartker
July 9, 2000
The perfect soundtrack for a summer Groove
By
Mike Nartker
June 25, 2000
Fold Your Hands Belle & Sebastian, you sound pretentious
By
Mike Nartker
June 25, 2000
Shutout shows DC’s rich music scene
By
Mike Nartker
June 11, 2000
GW Hatchet chats online with 311’s Nick Hexum
By
Mike Nartker
June 11, 2000
MC5’s greatest hits resonates with rock and roll
By
Mike Nartker
April 30, 2000
Baba Seth makes music to groove to
By
Mike Nartker
April 23, 2000
Broadcast proves debut album worth the wait
By
Mike Nartker
April 23, 2000
Orbit’s album fails to add new twists to old classics
By
Mike Nartker
April 9, 2000
The The proves why rockers do not improve with age
By
Mike Nartker
March 13, 2000
Groove Armada doles out frigid album with Vertigo
By
Mike Nartker
March 6, 2000
Gung Ho combines facets of Patti Smith in one album
By
Mike Nartker
February 28, 2000
Yo La Tengo struts its stuff on latest release
By
Mike Nartker
February 22, 2000
MTV’s 2GET+HER proves to be a boy band everyone can enjoy
By
Mike Nartker
February 14, 2000
Bowery Electric sucks life from trip-hop sound
By
Mike Nartker
February 7, 2000
The Cure thankfully returns to its roots with new album
By
Mike Nartker
January 31, 2000
Cocteau Twins’ album offers overview of band’s music
By
Mike Nartker
January 24, 2000
Beck tries to follow legends, but lacks emotional spark
By
Mike Nartker
December 6, 1999
Stereolab combines its numerous styles on latest album
By
Mike Nartker
November 22, 1999
Vocals sing the demise Breakbeat Era’s album
By
Mike Nartker
November 15, 1999
Squarepusher defines techno as the modern version of jazz
By
Mike Nartker
November 8, 1999
Odd sound classifies Gorky’s Zygotic Mynci
By
Mike Nartker
November 1, 1999
Buzzcocks proves age doesn’t matter in rock
By
Mike Nartker
November 1, 1999
Ash overcomes small flaws with memorable songs
By
Mike Nartker
October 24, 1999
Nine Inch Nails returns to scene with two-disc set, The Fragile
By
Mike Nartker
October 11, 1999
Muse’s latest album sounds like a Radiohead rip-off
By
Mike Nartker
October 3, 1999
Tricky returns to old ways on Juxtapose
By
Mike Nartker
September 26, 1999
Death In Vegas explores new avenues on latest release
By
Mike Nartker
September 19, 1999
When Super Furry Animals attack
By
Mike Nartker
September 12, 1999
Beautiful lyrics place Shack above others
By
Mike Nartker
September 6, 1999
Stereophonics lacks talent of other Brit-pop bands
By
Mike Nartker
August 29, 1999
Texas produces bland pop selections on The Hush
By
Mike Nartker
July 11, 1999
KMFDM concludes influential career with mature album
By
Mike Nartker
June 6, 1999
Low makes melancholy music warm, uplifting on Secret Name
By
Mike Nartker
April 25, 1999
Generic Theatre performs lackluster `Romeo and Juliet’
By
Mike Nartker
April 25, 1999
Band from Wales hits U.S. music scene with fun album
By
Mike Nartker
April 18, 1999
Bhangra Blowout draws large crowd for fun night
By
Mike Nartker
April 11, 1999
Placebo shows it can have a lasting effect
By
Mike Nartker
April 4, 1999
Lo-Fidelity soars with new album
By
Mike Nartker
March 29, 1999
Eminem’s new album goes stale quickly
By
Mike Nartker
March 22, 1999
Generic’s `Eqqus’ asks some questions more successfully than others
By
Mike Nartker
March 4, 1999
Marvelous 3’s Hey! Album lacks memorable music
By
Mike Nartker
March 1, 1999
Stretch Princess album blends great vocals and pop sound
By
Mike Nartker
February 22, 1999
Fun Lovin’ Criminals fails with new sounds
By
Mike Nartker
February 8, 1999
British band flourishes in U.S. with latest release
By
Mike Nartker
January 19, 1999
Bauhaus produces mediocre album with flavorful bits
By
Mike Nartker
January 18, 1999
Album accentuates 2Pac’s original approach to rap
By
Mike Nartker
December 7, 1998
Jim Carroll combines spoken word and music on album
By
Mike Nartker
November 16, 1998
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